Church Heritage Record id19001

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Evesham: St Lawrence

Name:

This is the church’s legal name as given by the Church Commissioners.

Evesham: St Lawrence
Record Type:

A classification of the current status of the building

CCT Church
Church code:

This is a unique identification number supplied to each church building by the Church Commissioners.

Diocese:

Name of diocese in which the church building is located at the time of entry.

Worcester
Archdeaconry:

Name of archdeaconry in which the church building is located at the time of entry

Worcester
Parish:

This is the legal name of the parish as given by the Church Commissioners.

The Beauchamp community with St. Leonard's Chaplery, Newland Ex. Par

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Statutory Designation Information

Listed Building?

The decision to put a church building on the National Heritage List for England and assign it a listing grade is made by the Secretary of State for Culture, Media and Sport. The decision is normally based on recommendations made by Historic England, the government’s adviser on the historic environment.

This is a Grade II* Listed Building
View more information about this Listed Building on the National Heritage List for England web site
Scheduled Monument?

The decision to schedule a feature (building, monument, archaeological remains, etc.) located within the church building’s precinct or churchyard is made by the Secretary of State for Culture, Media and Sport. The decision is based on recommendations made by Historic England, the government’s adviser on cultural heritage.

There is no Scheduled Monument within the curtilage or precinct

National Park

National Parks are areas of countryside that include villages and towns, which are protected because of their beautiful countryside, wildlife and cultural heritage. In England, National Parks are designated by Natural England, the government’s advisor on the natural environment.

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Conservation Area

Conservation areas are places of special architectural or historic interest where it is desirable to preserve and enhance the character and appearance of such areas. Conservation Areas are designated by the Local Council.

The church is in the following Conservation Area: Evesham

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Heritage At Risk Status

On Heritage At Risk Register?

The Heritage at Risk programme is run and managed by Historic England, the government’s advisor on cultural heritage. It aims to protect and manage the historic environment, so that the number of ‘at risk’ historic places and sites across England are reduced.

This church is not on the Heritage at Risk Register
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Approximate Date

Approximate Date:

Selecting a single date for the construction of a church building can sometimes be very difficult as most CoE buildings have seen many phases of development over time. The CHR allows you to record a time period rather than a specific date.

The CHR records the time period for the building’s predominant fabric as opposed to the date of the earliest fabric or the church’s foundation date.

Medieval

Exterior Image

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Summary Description

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The church is best approached from the west, from which point its setting in relationship to All Saints and the bell tower may be appreciated, and the tower of the church may be best studied. Four unequal stages with a short stone spire are set back behind a low parapet.

Visiting and Facilities

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The church is closed for worship.
Date closed for worship:
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Church Website

Church Website:

www.holytrinitylyonsdown.org.uk

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Sources and Further Information

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James Miles (2019) Bell frames of historic importance 1 Listed Bell Frame [Archive/Index]
1 Listed Bell Frame
ICBS (1817-1989) Incorporated Church Building Society Archive https://images.lambethpalacelibrary.org.uk/luna/servlet/detail/LPLIBLPL~34~34~60169~110983 [Archive/Graphic material]

Groundplan

ICBS File Number - 01721

Coverage - 1837

Created by EGINTON, Harvey: b. 1809 - d. 1849 of Worcester

ICBS (1817-1989) Incorporated Church Building Society Archive https://images.lambethpalacelibrary.org.uk/luna/servlet/detail/LPLIBLPL~34~34~60179~110984 [Archive/Graphic material]

Groundplan

ICBS File Number - 01721

Coverage - 1834-1838

Created by EGINTON, Harvey: b. 1809 - d. 1849 of Worcester

Church Buildings Council (2019) Church Bells 1 Bell [Archive/Index]
1 Bell

If you notice any errors with the below outlines of your connected churchyards, please email heritageonline@churchofengland.org with the corrections needed.

This could include information on new churchyards, edits to the boundaries shown, or different land characteristics. 

We are working on adding the consecrated land found within local authority cemeteries, and in time, this data will be shown on the map.

Grid Reference: SP 036 436

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Administrative Area

County:

The administrative area within which the church is located.

Worcestershire County

Location and Setting

This field describes the setting of the church building, i.e. the surroundings in which the church building is experienced, and whether or not it makes a positive or negative contribution to the significance of the building.

At the west end of the fertile vale to which it gives its nane lies the market town of Evesham, in the south-east corner of the county of Worcester, enfolded by a loop of the River Avon.

Church Plan

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Ground Plan Description and Dimensions

Ground Plan

Provide as written description of the ground plan of the church building and well as its dimensions.

West tower with short spire, the ground floor forming the main entrance to the church; four-bay nave and three-bay chancel with continuous aisles; sanctuary projecting a little to the east; south chantry chapel.

Dimensions

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Footprint of Church buildings (m2):

Small (<199m2)

Medium (200-599m2)

Large (600m-999m2)

Very Large (>1000m2)

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Description of Archaeology and History

This field aims to record the archaeological potential of the wider area around the building and churchyard, as well as the history of site.

Records state that the church was dedicated by the Bishop of St. Asaph on 18th December, 1295, but nothing remains of that date in the present building. The church now is Perpendicular, where mediaeval work remains, and of particular note is the south chantry chapel built by Abbot Clement Lichfield in c.1520. The church became ruinous during the early eighteenth century, and in 1730 the north arcade collapsed. The remains, together with the walls of the aisle and a chantry chapel similar to that on the south, were demolished; a now wall was built on the line of the outer wall of the north aisle to the height of the south clerestory and the resulting area (of nave and north aisle) roofed in one span. This proved disastrously over-ambitious and before long, owing to the weakness of the timbers used, the roof fell in. Until 1836 the church lay abandoned in ruins, and in that year it was restored by Harvey Eginton of Worcester, following the pattern of the surviving southern parts (save for the chantry chapel) to produce a symmetrical building. Eginton's other works soon for the most part to be churches in the Commissioners' idiom, and are St.Michael, Broadway (in the lancet style, with west tower), of 1839, Catshill (also in the lancet style) of 1838 and the later church at Trimpley (an excursion into Neo-Norman) built in 1844. The work at Eveshan in 1836 cost £2,500, most of which was raised by voluntary contributions.

Exterior Description

This field aims to record a written description of the exterior of the church building and the churchyard.

The church is best approached from the west, from which point its setting in relationship to All Saints and the bell tower may be appreciated, and the tower of the church may be best studied. Four unequal stages with a short stone spire are set back behind a low parapet. The stages are marked externally by moulded string-courses and the angles have set-back buttresses of slender proportions, the angles of the tower between being chamfered up to a point about three feet below the parapet, where the chanfors terminate with pretty trefoiled coving. The vice which gives access to the upper floors is placed at the south-east angle and is entered from the churchyard through a doorway with a four-centred arched head.

Whether Eginton left the church as closely representative of its mediaeval aspect as he found it, there is no way of knowing. It is worth noticing, however, that in its present form it is, apart from the south chantry chapel, built on a plan not unlike that of Eginton's own churches for the Commissioners, with a rectangular outline, wide aisles, sanctuary projecting only a short way beyond the east walls of the aisles, on three gabled roofs running continuously in an unbroken line from west to east. In any case, the external features of the aisle walls are almost entirely of Eginton's time. These consist of wide three-light windows within hollow-moulded surrounds, the main lights with cusped ogee hoads and the tracery of Perpenlicular inspiration with small paired panels. The bays are marked by thin buttresses which perform no structural function and contribute little aesthetically apart from articulating the wall-surface at regular intervals. The second bay from the east on the north side has a priest's doorway with a crocketted ogee head which breaks irto the lights of the window in a way more Gothick than Gothic.

The east walls of the aisles have three-light windows of exactly the same design as those used by Eginton in the north and south walls. 

The special glory of the exterior of the church is the east facade of the chancel , projecting slightly forward from the flanking aisles, their somewhat mal-proportioned plainness enhancing the frontispiece by contrast. Almost the whole area of the gabled east wall is taken up by the great six-light window, with transoms in the form of delicate tracery providing cinquefoiled heads to the lower lights and ogee bases to the upper lights. The tracery in the four-centred head of the window consists of panels above the three pairs of lights with the two main mullions rising straight to the head of the window, tributary bars breaking off to left and right into intersecting figures.

What little is left to wall surface to each side of the window and below it is covered (including the diagonal buttresses) with panelling. On the moulded plinth below the window are two tiers of panelling, the lower a continuous frieze of quatrefoils with florets in the centre of each and the upper a similar frieze of trefoiled arches, both friezes continuing uninterrupted round the buttresses and along the north and south return walls until the aisle walls halt them. The buttresses are of two stages separated by a castellated off-set; the lower stage has paired arches under crocketted canopies and the upper more uniform panelling comparable (on a much smaller scale) with that on the walls of the great bell tower. The gable above the moulded arch of the window is set back about a foot, which suggests an unfinished scheme, perhaps intended to terminate in a less sharply pitched gable with pierced parapet to complement that on the south chapel. In the north and south return walls are tall paired lights of a height equivalent to the main lights of the east window, making even more airy the whole concept, the wall being reduced merely to slender piers supported by buttresses at each angle of the chancel.

Architects, Artists and Associated People/Organisations

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Building Fabric and Features

This field is an index of the building and its major components

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STAINED GLASS (1862)
STAINED GLASS (19th Century)
STAINED GLASS
STAINED GLASS (c.1937)
STAINED GLASS (1931)
STAINED GLASS (c.1934)
STAINED GLASS
STAINED GLASS (1847)
STAINED GLASS (c.1963)
STAINED GLASS (c.1930)
STAINED GLASS (1963)
STAINED GLASS (1927)
STAINED GLASS (1863)

Building Materials

This field is an index of the building’s material composition

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BLUE LIAS (14th Century)

Interior Image

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Interior Description

This field aims to record a written description of the interior of the church building.

Entering by the west door, and passing through the dark tower-space roofed by the underside of a gallery, the visitor first sees the nave as a surprisingly narrow chamber running unbroken into the chancel and so, still without a break, to the sanctuary and the colourful Willement glass in the east window, quite without any wall surrounding it. On each hand are aisles rather wider than the nave, with flat plaster ceilings; towards the east end of the north aisle stands the organ case, originally built in 1836 in the west gallery, and slightly closer on the south side may be caught glimpses of the richly decorated panelled walls of the south chantry chapel. At the west end, the outer wall of the tower is pierced by a four-light window which also takes up virtually the whole of the wall space in which it is set, and the general effect of the church is thus that of a long gallery closed at each end by transparent, or at least translucent, screens.

Although this impression is today re-inforced by the continuous panelled ceiling of four-centred section, it was not always so, as sections of flat wall undecorated by panelling dividing nave from chancel show. At this point stood the screen, and the rood loft was entered by a stir on the south side, of which all trace has disappeared save the doorway at the foot. The four bays of the nave arcades and the three of the chancel arcades are of identical design, said to be original on the south and imitative on the north. The piers are of quatrefoil section with attached shafts towards the arches and towards the aisles terminating at an equal height while those towards the nave continue upwards to the moulded wall-plate. The hollow mouldings between continue round the four-centred arches, and the attached shafts have moulded semi-octagonal capitals from which spring further mouldings. Each bays is thus framed by shafts rising from the moulded bases of the piers right through the clerestory to the wall plate, the vertical emphasis of the building emphasised by uniting the clerestory with the arcades. The clerestory has two ways to each bay of the arcades, with ogee arches in panelling below, four to each great bay, and then pairs of small cinquefoiled lights above, two pairs to each great bay.

The ceiling is panelled with moulded ribs painted dark brown, the panels between plastered and painted white. The ribs are alternately large and small, corresponding to the half-bays below (the wall at the place of the screen fits exactly one half-bay). The aisles are paved with stone flags and roofed with flat plaster ceilings without cornices. The wall surfaces are faced with stucco incised to resemble ashlar masonry and the windows stand within plain undecorated reveals.

At the west end of the nave a panelled arch opens into the tower space; the lower part is screened by a stone screen in imitation of that which formerly closed the arch to the south chantry chapel, doubtless dating from Eginton's restoration and simply composed of three tiers of trefoiled arches, three of those in the lowest and middle tiers absent to form the doorway. The tower-space has a tierceron vault with stone ribs and a central circular bell-way.

The chancel is screened from the aisles by timber parclose screens dating from c.1895, that on the north serving to conceal the organ and a choir vestry in the three eastern bays of the north aisle, while in the east bay of the south aisle is a clergy vestry. The chancel is one step above the floor level of the nave, with a further step east of the choirstalls, one more at the communion rails and then a final step and footpace for the altar. The eastern part of the chancel and the sanctuary are paved with excellent tiles of various patterns, and the reredos seems, with the font, to be almost the only furnishing provided by Eginton which survives. 

The south chantry chapel is virtually square and is as lavishly decorated within as it is externally. It communicates with the south aisle through a deep arch with attached shafts at the edges enclosing panelled surfaces which cover the soffit up to the apex of the arch. Three steps lead down into the chapel, to a floor paved with unpleasantlycoloured tiles.

Internal Fixtures and Fittings

This field is an index of the building’s internal, architectural components. This includes its internal spaces and those areas’ fixtures and fittings (building components which are securely fixed to the church or cathedral).

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Collapse Internal Fixtures and FittingsInternal Fixtures and Fittings
ALTAR
BELL (1 of 1)
BELL FRAME (1600)
FONT (OBJECT) (1906)
LECTERN
ORGAN (OBJECT)
PULPIT (1906)
REREDOS

Portable Furnishings and Artworks

This field is an index of the building’s movable, non-fixed furnishings and artworks.

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If you notice any errors with the below outlines of your connected churchyards, please email heritageonline@churchofengland.org with the corrections needed.

This could include information on new churchyards, edits to the boundaries shown, or different land characteristics. 

We are working on adding the consecrated land found within local authority cemeteries, and in time, this data will be shown on the map.

Grid Reference: SP 036 436

To zoom into an area hold the SHIFT key down then click and drag a rectangle.

Ecology

This field aims to record a description of the ecology of the churchyard and surrounding setting.

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Ecological Designations

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The everyday wildlife of burial grounds means much to those who visit and cherish them but many burial grounds are so rich in wildlife that they should be designated and specially protected. Few have the legal protection of a Site of Special Scientific Interest (SSSI) or, in the case of local authority owned cemeteries, Local Nature Reserve. This makes it even more important that they are cared for and protected by the people looking after them.

Many have a non-statutory designation as a recognition of their importance. These non-statutory designations have a variety of names in different regions including Local Wildlife Site, County Wildlife Site, Site of Importance for Nature Conservation or Site of Nature Conservation Importance (Local Wildlife Site is the most common name). Their selection is based on records of the most important, distinctive and threatened species and habitats within a national, regional and local context. This makes them some of our most valuable wildlife areas.

For example, many burial grounds which are designated as Local Wildlife Sites contain species-rich meadow, rich in wildflowers, native grasses and grassland fungi managed by only occasional mowing plus raking. When this is the case, many animals may be present too, insects, birds, amphibians, reptiles and mammals. This type of grassland was once widespread and has been almost entirely lost from the UK with approximately 3% remaining, so burial grounds with species-rich meadow managed in this way are extremely important for wildlife.

These designations should be considered when planning management or change.

If you think that this or any other burial ground should be designated please contact Caring for God’s Acre (info@cfga.org.uk) to discuss. Many eligible sites have not yet received a designation and can be surveyed and then submitted for consideration.

There are no SSSIs within the curtilage of this CCT Church.

There are no Local nature reserves within the curtilage of this CCT Church.

There are no Local Wildlife sites within the curtilage of this CCT Church.

Evidence of the Presence of Bats

This field aims to record any evidence of the presence of bats in the church building or churchyard.

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Burial and War Grave Information

This field records basic information about the presence of a churchyard and its use as a burial ground.

It is unknown whether the church or churchyard is consecrated. Work in progress - can you help?
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It is unknown whether the churchyard has been used for burial. Work in progress - can you help?
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It is unknown whether the churchyard is used for burial. Work in progress - can you help?
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It is unknown whether the churchyard is closed for burial. Work in progress - can you help?
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It is unknown whether the churchyard has war graves. Work in progress - can you help?

National Heritage List for England Designations

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There are no Scheduled Monuments within the curtilage of this CCT Church.

Designation TypeNameGrade  
Listed Building Abbot Reginald's Wall And The Porter's Lodge II View more
Listed Building Remains Of West Wall Of North Transept Of Abbey II View more

Ancient, Veteran & Notable Trees

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Churchyards are home to fantastic trees, in particular ancient and veteran trees which can be the oldest indication of a sacred space and be features of extraordinary individuality. The UK holds a globally important population of ancient and veteran yew trees of which three-quarters are found in the churchyards of England and Wales.

There are more than 1,000 ancient and veteran yews aged at least 500 years in these churchyards.

To put this in context, the only other part of western Europe with a known significant yew population is Normandy in northern France, where more than 100 ancient or veteran churchyard yews have been recorded.

Burial grounds may contain veteran and ancient trees of other species such as sweet chestnut or small-leaved lime which, whilst maybe not so old as the yews, are still important for wildlife and may be home to many other species.

Specialist advice is needed when managing these wonderful trees. For more information or to seek advice please contact Caring for God’s Acre, The Ancient Yew Group and The Woodland Trust.

If you know of an ancient or veteran tree in a burial ground that is not listed here please contact Caring for God’s Acre.

NameStatusNumber found in this site 
Sweet chestnut Veteran tree 1

Churchyard Structures

This field is an index of the churchyard’s components.

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Significance

Setting Significance Level:

Significance is the whole set of reasons why people value a church, whether as a place for worship and mission, as an historic building that is part of the national heritage, as a focus for the local community, as a familiar landmark or for any other reasons.

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Setting Significance Description:
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Fabric Significance Level:
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Fabric Significance Description:
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Interior Significance Level:
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Interior Significance Description:
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Community Significance Level:
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Community Significance Description:
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Church Renewables

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Species Summary

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All of the species listed below have been recorded in close proximity to the CCT Church . A few species which are particularly threatened and affected by disturbance may not be listed here because their exact location cannot be shared.

NOTE: Be aware that this dataset is growing, and the species totals may change once the National Biodiversity Network has added further records. Species may be present but not recorded and still await discovery.

CategoryTotal species recorded to date
TOTAL NUMBER OF SPECIES RECORDED 82
Total number of animal species 3
Total number of plant species 0
Total number of mammal species 0
Total number of birds 1
Total number of amphibian and reptile species 0
Total number of invertebrate species 4
Total number of fungi species 79
Total number of mosses and liverworts (bryophytes) 0
Total number of ferns 0
Total number of flowering plants 0
Total number of Gymnosperm and Ginkgo 0

Caring for God’s Acre is a conservation charity working to support groups and individuals to investigate, care for, and enjoy the wildlife and heritage treasures found within churchyards and other burial grounds. Look on their website for information and advice and please contact their staff directly. They can help you manage this churchyard for people and wildlife.

To learn more about all of the species recorded against this church, go to the Burial Ground Portal within the NBN Atlas. You can check the spread of records through the years, discovering what has been recorded and when, plus what discoveries might remain to be uncovered.

‘Seek Advice’ Species

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If any of the following species have been seen close to the CCT Church, it is important to seek advice from an expert. You will need to know if they are present now, and to follow expert recommendations when planning works. All of these species have specific legal protection as a recognition of their rarity. All of them are rare or becoming increasingly endangered, so it is important to ensure that management and other works do not adversely affect them. In addition, there may be things you can do to help these special species. N.B. Swift and House Martin do not have specific legal protection but are included, as roof repair works often impact breeding swifts and house martins which is against the law.

This is not a complete list of protected species, there are many more, but these are ones that are more likely to be found. All wild birds, their nests and eggs are also protected by law, as are all bats and veteran trees. In a few cases, species are considered particularly prone to disturbance or destruction by people, so the exact location of where they were recorded is not publicly available but can be requested. These ‘blurred’ records are included here, and the accuracy is to 1km. This means that the species has been recorded in close proximity to the CCT Church, or a maximum of 1km away from it. As these ‘blurred’ species are quite mobile, there is a strong likelihood that they can occur close to the CCT Church. To learn about these special species, use the link provided for each species in the table below

One important species which is not included here is the Peregrine Falcon. This is protected and advice should be sought if peregrines are nesting on a church or cathedral. Peregrine records are ‘blurred’ to 10km, hence the decision not to include records here. Remember too that species not seriously threatened nationally may still be at risk in your region and be sensitive to works. You should check with local experts about this. You may also need to seek advice about invasive species, such as Japanese knotweed and aquatics colonising streams or pools, which can spread in churchyards.

N.B. If a species is not recorded this does not indicate absence. It is always good practice to survey.

Common nameScientific nameHas this species been recorded yet?Is it a ‘blurred’ species? Last recorded sighting
Great Crested Newt
(NBN Atlas opens in new tab)
Triturus cristatusNoNoNone
Natterjack Toad
(NBN Atlas opens in new tab)
Epidalea calamitaNoNoNone
Sand Lizard
(NBN Atlas opens in new tab)
Lacerta agilisNoNoNone
Common Lizard
(NBN Atlas opens in new tab)
Zootoca viviparaNoNoNone
Adder
(NBN Atlas opens in new tab)
Vipera berusNoNoNone
Grass Snake
(NBN Atlas opens in new tab)
Natrix helveticaNoNoNone
Smooth Snake
(NBN Atlas opens in new tab)
Coronella austriacaNoNoNone
Slow-worm
(NBN Atlas opens in new tab)
Anguis fragilisNoNoNone
Eurasian Red Squirrel
(NBN Atlas opens in new tab)
Sciurus vulgarisNoNoNone
Eurasian Badger
(NBN Atlas opens in new tab)
Meles melesNoYesNone
Hazel Dormouse
(NBN Atlas opens in new tab)
Muscardinus avellanariusNoNoNone
Swift
(NBN Atlas opens in new tab)
Apus apusYesNo2013
House Martin
(NBN Atlas opens in new tab)
Delichon urbicumNoNoNone
Bat
(NBN Atlas opens in new tab)
ChiropteraNoYesNone

Caring for God’s Acre can help and support you in looking after the biodiversity present in this special place. If you know that any of these species occur close to the CCT Church and are not recorded here, please contact Caring for God’s Acre with details (info@cfga.org.uk).

To find out more about these and other species recorded against this CCT Church, go to the Burial Ground Portal within the NBN Atlas.

The church was the centre of many people’s lives and remains a guide to their cares and concerns. Glimpses into those lives have often come down to us in the stories we heard as children or old photographs discovered in tattered shoe boxes. Perhaps your ancestors even made it into local legend following some fantastic event? You can choose to share those memories with others and record them for future generations on this Forum.

Tell us the story of this building through the lives of those who experienced it. Tell us why this church is important to you and your community.

Upload your photographs, share your videos, or compose your story below using a Facebook, Twitter, Google or Disqus account.

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Oliver LackModified asset data - Modified the Summary DescriptionMon 06 Feb 2023 15:29:12
Oliver LackModified asset data - Modified the Approximate DateMon 06 Feb 2023 15:29:06
Oliver LackAdded fabric typeMon 06 Feb 2023 15:28:36
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